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STUDIES IN POPULAR
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Berger, Elizabeth Ariel. "Promise of A New Eden: The Saving Graces of Natural Cosmetics." 16.1 (1993) 29-37. Cohen, Erik. "From Tribal Costume To Pop Fashion: The Boutiquisation Of The Textiles Of The Hill Tribes Of Northern Thailand." 11.2 (1988) 49-59. Fenstermaker, John J. "Thomas Carlyle, Popular Advertising, and the Commercial Spirit in Victorian England." 15.1 (1992) 25-36. Hall, Dennis R. "War Games: Structure and Meaning in the Camo Equipment Catalogs." 9.2 (1986) 75-84. Hartigan, Karelisa. "The Muse on Madison Avenue." 18.2 (1996) 43-57. Hubbard, Rita C. "Shock Advertising: The Benetton Case." 16.1 (1993) 39-51. Kinloch, Graham C. "Victory is Our Business: Popular Advertising During World War II." 11.1 (1988) 22-34. Lewis, James R. "Adam And Eve On Madison Avenue: Symbolic Inversion in Popular Culture" 10.1(1987) 74-82. Morreale, Joanne. "Gender and Miller Lite: The Case of the Missing Case." 13.2 (1991) 27-37. Moseley, Merritt. "The Origins and Success of Mr.Whipple." 6 (1983) 53-59. Rhode, Robert T. "Famished for Reading: How a Harvest of Machinery Catalogues Fed Rural America." 19.1 (1996) 37-45. Smith, Marie D. Decoding Victorias Secret: The Marketing of Sexual Beauty and Ambivalence. 25.1 (2002): 39-47.
Adams, Susan S. A Patchwork Planet and the Slipping-Down Life of Anne Tylers Fiction. 24.2 (2001) 1-16. Anderson, Daryll. Culinary Mysteries of the 1990s. 23.2 (2000) 55-63. Anglieri, Kelly. "Choose Your-Own-Reader-Response-Adventure: Decoding Childrens Literature and Coloring Books." 17.1 (1994) 65-74. Bailey, Dale, and Jack Slay, Jr. A Counterhegemonic World: James Hyness Tales of Academic Horror. 25.3 (2003): 25-32. Bargainnier, Earl F. "The Sahara of the 1920s: Popular Images of Araby." 8.1 (1985) 37-45. Barr, Terry. "In Search of Contemporary Southern Literary Shtetls." 19.2 (1996) 335-352. Bassett, John E. "Thurber and the Critics: Thc Problem of Humor." 8.2 (1985) 33-41. Batesel, Paul. "Best Sellers and the Public Attitude." 12.1 (1989) 15-27. Bedell, Jeanne F. "Somerset Maughams Ashenden and the Modernization of Spy Fiction." 7 (1984) 40-46. Bell, Barbara. "Holden Caulfield in Doc Martins: The Catcher in the Rye and My So-Called Life." 19.1 (1996) 47-57. Blaha, Franz. G. "Behind the Big Wall: Detective Fiction in the GDR." 5 (1982) 7-15. Brennan, Bobbie. "Bridging the Backlash: A Cultural Materialist Reading of The Bridges of Madison County." 19.1 (1996) 59-77. Burnett, Wesley, and Lucy Rollin. "Vonneguts Player Piano and American Anti-Leisure: Idle Time in Hell." 20.2 (1997) 17-27. Cawelti, John G. "Searching for Scarlett: The Quest for Southern Identity in the 1980s and 90s." 19.2 (1996) 91-104. Clark, Daniel A., and P. Andrew Miller. "Variations on the Plantation Romance: Five Stories by Southern Women Writers." 19.2 (1996) 105-118. Cleland, Sharon, Harriette Dodson, and Juliette Woodruff. "Those Damned Scribbling Women." 6 (1983) 77-87. Cohen, Michael. "Inside the Murderer." 19.3 (1997) 49-63. Conroy, Stephen S. "Popular Mafia Biography." 6 (1983) 116-124. Cullick, Jonathan S. The Literary Offenses of a Neo-Nazi: Narrative Voice in The Turner Diaries. 24.3 (2002) 87-98. Darbyshire, Peter. Romancing the World: Harlequin Romances, the Capitalist Dream, and the Conquest of Europe and Asia. 23.1 (2000) 1-10. Doak, Robert. "Who Am I This Time?: Multiple Personality Disorder and Popular Culture." 22.1 (1999): 63-73. Doak, Robert. Vagabondage in the Land of Nod: The Cain and Abel Myth in Western Fiction and Film. 24.2 (2001) 17-28. Dove, George N. "The Rules of the Game." 4 (1981) 67-72. Fick, Thomas H. "A Killer and a Saint: The Double Hero in America." 8.1 (1985) 71-78. Fick, Thomas H. "The Machinery of Innocence: Charles Reich and The Greening of America." 11.1 (1988) 51-63. Ford, Susan Allen. Detecting (and Teaching) the Gothic. 24.1 (2001) 47-58. Frazier, J. Terry. "Vietnam War Stories: Looking at the Heart of Darkness." 5 (1982) 1-6. Frazier, Tom. "From Here to There and Back Again: Investigating Migratory Patterns in Fiction." 19.2 (1996) 17-27. Fulcher, Jim. The American Militia Conspiracy Novel. 24.1 (2001) 59-70. Gadzinski, Eric. "Canon Fodder: Vietnam Verse and the Anesthetics of Acceptance." 22.2 (1999): 11-17. Gibson, Michelle, and Deborah T. Meem. "The Case of the Lovely Lesbian: Mabel Maneys Queering of Nancy Drew." 19.3 (1997) 23-36. Gordon, Stephanie. The 7-11 of my dreams: Pop Culture in Sherman Alexies Short Fiction. 24.2 (2001) 29-36. Gravett, Sharon L. "Will the Real William Randolph Hearst Please Stand Up? Jo Stoyte Versus Charles Foster Kane." 21.3 (1999): 23-36. Hall, Dennis. Modern and Postmodern Wedding Planners: Emily Posts Etiquette in Society (1937) and Blum & Kaisers Weddings for Dummies (1997). 24.3 (2002) 37-48. Hensley, John. Ambivalence on the Arrested Frontier: Us, Them, and the Other in Harold Bell Wrights The Shepherd of the Hills. 24.2 (2001) 65-77. Hensley, John. Eugenics and Social Darwinism in Stanley Waterloos The Story of Ab and Jack Londons Before Adam. 25.1 (2002): 23-37. Holmberg, Carl Bryan. "Clive Barkers Poetics: The Rhetorical Nature of Horror and Human Experience." 14.2 (1992) 85-95. Hoppenstand, Gary. "Dinosaur Doctors and Jurassic Geniuses: The Changing Image of the Scientist in the Lost World Adventure." 22.1 (1999): 1-14. Johnson, Faye R., and Carole M. Carroll. "Little Red Riding Hood Then and Now." 14.2 (1992) 71-84. Jordan, Peter. "Carl Hiaasens Environmental Thrillers: Crime Fiction in Search of Green Peace." 13.1 (1990) 61-71. Jordan, Peter. "Wish Fulfillment: The Innocent Fantasies or Fantastic Innocence of Thorne Smiths Humor." 8.1 (1985) 53-62. Kramp, Michael. "The Potency of Jane, or the Disciplinary Function of Austen in America." 22.2 (1999): 19-32. Kravitz, Bennett. Philo-Semitism as Anti-Semitism in Mark Twains Concerning the Jews. 25.2 (2002): 1-12. ___. Reinventing the Self and Privileging the Future in Emerson, Whitman, and Who Moved My Cheese? 24.3 (20022) 73-85. Lance, Jacqueline. The Great Gatsby: Driving to Destruction with the Rich and Careless at the Wheel. 23.2 (2000) 25-35. Lippy, Charles H. "Billy Grahams My Answer: Agenda For the Faithful." 5 (1982) 27-34. MacDermott, Kathy. "Light Humor and the Dark Underside of Wish Fulfillment: Conservative Antirealism." 10.2 (1987) 37-53. Marks, Marsha. "Two Worlds That Never Were: Falconhurst and Gor." 1 (1977) 56-66. McCandless, Amy Thompson. "Concepts of Patriarchy in the Popular Novels of Antebellum Southern Women." 10.2 (1987) 1-16. McIntire, Carmela Pinto. "Dying of Consumption: The Prostitute Clara in Meridel Le Seurs The Girl." 22.2 (1999): 1-10. McKeen, William. "Tough Guys With Typewriters." 3 (1980) 70-80. Melton, Jeffrey A. "The Tourist as Art Critic: Mark Twain and the Old Masters." 22.2 (1999): 61-69. Miller, James S. The Right and Lucky Man: Raymond Chandler and the Myth of Tough Writing 25.2 (2002): 65-77. Miller, R. H. "Hammetts Physical falcon, or, What Exactly Did the Emperor Give?" 22.1 (1998): 45-52. Mogen, David. "Re-Evaluating the John W. Campbell Influence: Parochialism, Elitism and Calvinism." 3 (1980) 35-46. Neville, John D. "The Stereotypic American in British Detective Novels." 5 (1982) 80-86. Pearson, Michael. "Pig Eaters, Whores, and Cowophiles: Thc Comic Image In Southern Literature." 9.1 (1986) 1-10. Piacentino, Ed. "Fictionalizing as Moral Rationalization: The Function of the Narrator in Hawthornes Wakefield." 20.2 (1997) 71-84. Pratt, Louis H. "Alice Walkers Men: Profiles in the Quest for Love and Personal Values." 12.1 (1989) 42-57. Pridgen, Allen. "Going Home: James Dickeys South." 1 (1977) 16-25. Pyron, Darden Asbury. "Gone With the Wind: Southern History and National Popular Culture." 3 (1980) 11-19. Ramet, Carlos. Archers Ardent Glory: Nostalgia and Change in Jeffrey Archers A Matter of Honor. 23.1 (2000) 23-34. Ramet, Carlos. "Ken Follett from Start to Finish: The Transformation of a Writer." 15.2 (1993) 79-86. Russell, Dennis. "Insider Narratives of the O. J. Simpson Case: A Klappean Analysis of Hero or Fool." 20.3 (1998): 45-56. Russell, Dennis. "The Journalistic Autobiography: How Reporters View Themselves and Order Their Experience." 18.1 (1995) 83-99. Saur, Pamela S. "Populist Ideas in Biographies of Country Western Entertainers." 12.2 (1989) 70-78. Saur, Pamela S. "The Sexual Double Standard in the Biographies of Country Music Entertainers." 9.2 (1986) 65-74. Schwartzman, Roy. Recasting the American Dream Through Horatio Algers Success Stories. 23.2 (2000) 75-91. Shurbutt, Sylvia Davis. "The Popular Fiction of Caroline Sheridan Norton: The Woman Question and the Theme of Manipulation." 9.2 (1986) 24-40. Silberman, Lauren, "Spensers Faerieland Meets the Land of Oz." 15.2 (1993) 29-33. Simberloff, Daniel. "Family and Factory: Popular Investigations into Popular Culture.9.2 (1986) 41-50. St. Germain, Amos. "Teaching Popular Culture: The Tough Guy Novel." 1 (1977) 36-44. Stahl, Abraham. "Popular Hagiological Literature Among Oriental Jews in Israel." 13.2 (1991) 39-52. Stevens, H. Brenton. "Look! Up in the Sky! Its a Bird! Its a Plane! Its . . . Rocketman!: Pynchons Comic Book Mythology in Gravitys Rainbow." 19.3 (1997) 37-48. Stokker, Kathleen. "Snorri The Seal: A Norwegian Childrens Book Goes Underground." 17.2 (1995) 51-60. Timson, Beth S. "The Drug Store Novel: Popular Romantic Fiction and the Mainstream Tradition." 6 (1983) 88-96. Wedwick, Linda. "The Last Accepted Prejudice: Fat Characters in Childrens Serial Fiction." 20.3 (1998): 19-31. Weirather, Larry. "Romancing The Clipper: Americas Technological Coming of Age in Childrens Literature." 13.1 (1990) 27-45. Wheat, Jennifer. Auntie Mame: The Power of the Fool. 23.1 (2000) 11-22. Womack, Steven. "The Evolution of a Pop Culture Writer." 16.2 (1994) 1-8. Zitter, Emmy Stark. "Language, Race, and Authority in the Stories of Edgar Allan Poe." 21.2 (1998): 53-69. Zubizarreta, John. "Fishing for Art in the Art of Fishing: John Herseys Blues." 15.1 (1992) 47-59.
Edwards, Anne. Appraising the Fourth Estate: Constructions of the Media in The Death of Superman. 24.1 (2001) 87-97. Graves, Michael P. The Comics Meet the Quakers: Scott McClouds Theory of the Comics Employed to Unravel the Quaker Tapestry. 23.1 (2000) 75-90. Anderson, Fenwick. "Comic Heroes: Popular Culture on a Pedestal." 9.2 (1986) 85-95. Anderson, Fenwick. "Son of Popular Culture on a Pedestal." 18.1 (1995) 63-69. Bell, Elizabeth S. "The Incredible Hulk as Modern Grail Quest." 5 (1982) 56-60. Corley, Sarah V. "Women in the Comics." 5 (1982) 61-71. Inge, M. Thomas. "Form and Function in Metacomics: Self-Reflexivity in the Comic Strips." 13.2 (1991) 1-10. Inge, M. Thomas. "Sut, Scarlet, and Their Comic Cousins: The South in the Comic Strip." 19.2 (1996) 153-166. Jarvis, Eric. "The Comic strip Pogo and the Issue of Race." 21.2 (1998): 85-94. Lafky, Sue A., and Bonnie Brennan. "For Better or For Worse: Coming Out in the Funny Pages." 18.1 (1995) 23-47. Rollin, Lucy. "The Savage Mind of Gary Larson." 12.1 (1989) 75-86. Scholl, Sharon. "The American Teenager From Archie to Funky." 2 (1979) 36-45. Silvio, Carl. "Postmodern Narrative, the Marvel Universe, and the Reader." 17.2 (1995) 39-50. Stevens, H. Brenton. ""Look! Up in the Sky! Its a Bird! Its a Plane! Its . . . Rocketman!: Pynchons Comic Book Mythology in Gravitys Rainbow." 19.3 (1997) 37-48. Tormey, Warren. "Discipline and Dilbert." 21.1 (1998): 13-29. Williams, J. P. "Transformations and Projections: Constructions of Femininity in Lois Lane." 17.1 (1994) 45-53.
Adams, Michael C. C. "Seeking Glory: Our Continuing Involvement with the 54th Massachusetts." 14.2 (1992) 11-19. Armour, Robert A. "Biograph and the Invention of Movie Reviews and Screenwriting." 12.2 (1989) 61-69. Armour, Robert A. "Comic Strips, Theatre, And Early Narrative Films 1895-1904." 10.1 (1987) 14-26. Barr, Terry. "Fagins Children: Hollywoods Jewish Gangsters." 22.2 (1999): 71-84. Barr, Terry. "Stars, Light, and Finding the Way: The Emergence of Jewish Characters in Contemporary Film and Television." 15.2 (1993) 87-100. Bennett, James R., and Richard Lindell, II. "The Endings of Filmed Adaptations of Literature 1946-1977." 2 (1979) 59-76. Biesty, Patrick. "The Myth of the Playful Dancer." 13.1 (1990) 73-88. Brown, Jerry B., and Judith Hoch. " The Rocky Horror Picture Show: A Galactic Gothic Epic" 4 (1981) 59-66. Camodeca, Gina. Uncle Toys Cabin: The Politics of Ownership in Disneys Toy Story. 25.2 (2002): 51-63. Cass, Jeffrey. "SS Troopers: Cybernostalgia and Paul Verhoevens Fascist Flirtation." 21.2 (1999): 51-63. Cauthen, Cramer R., and Donald G. Alpin, III. "The Gift Refused: The Southern Lawyer in To Kill a Mockingbird, The Client, and Cape Fear." 19.2 (1996) 257-275. Clark-Jones, Melissa. "Lone Star: Renovation of the American Dream." 20.3 (1998): 57-69. Cooper, Douglas W. "The Lovely Load: An Archetype of the Horror Film." 13.1 (1990) 17-26. Dalton, Mary, Steve Jarrett, and Carol Keesee. "Stories of Southern Women: Gender, Culture, and Connection in the Movies." 19.2 (1996) 119-130. Dassanowsky-Harris, Robert. "The Southern Journey: Candy and The Magic Christian as Cinematic Picaresques." 15.1 (1992) 95-111. Davis, Hugh H. "A Weirdo, A Rat, and A Humbug: The Literary Qualities of The Muppet Christmas Carol." 21.3 (1999): 95-105. Davis, Michelle D. "Quentin Tarantinos Post-Modern King on His Porcelain Throne." 20.1 (1997) 65-74. Deats, Sara M. "Polanskis Macbeth: A Contemporary Tragedy." 9:1 (1986) 84-93. Deats, Sara M. "Zeffirellis Romeo and Juliet: Shakespeare for the Sixties." 6 (1983) 60-69. Doak, Robert. "Who Am I This Time?: Multiple Personality Disorder and Popular Culture." 22.1 (1999): 63-73. Doak, Robert. Vagabondage in the Land of Nod: The Cain and Abel Myth in Western Fiction and Film. 24.2 (2001) 17-28. Donald, Ralph R. "Anti-war Themes in Narrative War Films: Soldiers Experiences As Social Comment." 13.2 (1991) 77-92. Donald, Ralph R. "Dont Do That, You Twit! Or, Why Horror Films Never Run Short of Victims." 20.3 (1998): 83-89. Duckenfield, Mark. "Terminator 2: An Economic Call to Arms?" 17.1 (1994) 1-16. Dunne, Michael. "Fred Astaire as Cultural Allusion." 16.2 (1994) 9-19. Dunne, Michael. "Post-War Cultural Construction in The Babe Ruth Story." 19.1 (1996) 1-7. Foertsch, Jacqueline. Incredible Shrinkage: The Perils of Patriotism in 1960s Spy Films. 25.3 (2003): 33-48. Fowler, Douglas. "Alien, The Thing, and the Principles of Terror." 4 (1981) 16-23. Gravett, Sharon L. "Will the Real William Randolph Hearst Please Stand Up? Jo Stoyte Versus Charles Foster Kane." 21.3 (1999): 23-36. Haspel, Paul. "From Hero to Villain to Unknown Other: The Confederate Soldier in American Film." 19.2 (1996) 131-140. Hollinger, Karen. "Respeaking Sisterhood." 20.1 (1997) 53-64. Hopkins, George W. "Constructing the New Mythic West: Dances With Wolves." 21.2 (1998): 71-83. House, Rebecca R. "Night of the Soul: American Film Noir." 9.1 (1986) 61-83. Janning, Michelle Y. Party On, Be Excellent, and Be Ignorant: Depictions of Masculinity in the Idiotic Duo Film Genre. 23.3 (2001) 81-95. Johnson, Kneneth E. "Theres No Basement in the Alamo; or, Pee-wees Hermeneutics." 14.2 (1992) 51-56. Kapsis, Robert E. "Hitchcock in the James Bond Era." 11.1 (1988) 64-79. Kates, Ronald. New Urbanism Meets Cinematic Fantasyland: Seaside, The Truman Show, and New Utopias. 23.2 (2000) 93-98. Keller, James. "Nothing That Is Not There, and the Nothing That Is: Language and The Blair Witch Phenomenon." 22.3 (2000): 69-81. Keller, James. "Style or Substance: Heterotextual Traces in To Wong Fu." 19.3 (1997) 65-75. Kijinski, John L. "Bakhtin and Works of Mass Culture: Heteroglossia in Stand By Me." 10:2 (1987) 67-81. Kosinski, Mark K. "Parody and Formula in the Pornographic Film." 5 (1982) 35-41. Landon, Philip J. "From Cowboy to Organization Man: The Hollywood War Hero, 1940-1955." 12.1 (1989) 28-41. Lavery, David. "Same-o, Same-o: Eternal Recurrence in Groundhog Day." 22.1 (1999): 89-97. Lindroth, Mary. "The Prince and the Newscaster: Baz Luhrman Updates Shakespeare for a Y2K Audience." 22.3 (2000): 55-68. Marsh, John L. "Dick Powell and the Landmark Musicals of 1933." 9.1 (1986) 51-60. Matelski, Marilyn J. The Way We Were . . . and Wish We Werent: A Hollywood Memoir of Blacklisting in America. 24.2 (2001) 79-98. Metcalf, Greg. "Its a Jungle Book Out There, Kid: The Sixties in Walt Disneys The Jungle Book." 14.1 (1991) 85-97. Miller, Joyce. "From Bonnie and Clyde to Thelma and Louise: The Struggle for Justice in the Cinematic South." 19.2 (1996) 277-286. Morlan, Don B. "Slapstick Contributions to WW II Propaganda: The Three Stooges and Abbott and Costello." 17.1 (1994) 29-43. Recchia, Edward. "Invasion of the Body Snatchers: High-Tech Heroes and Electronic Villains in the Films of the Computer Age." 17.2 (1995) 1-15. Regester, Charlene B. "Oscar Micheaux on the Cutting Edge: Films Rejected by the New York State Motion Picture Commission." 17.2 (1995) 61-72. Rzepka, Charles. "If I Can Make It There: Ozs Emerald City and the New Woman." 10.2 (1987) 54-66. Schwartzman, Roy. "Engenderneered Machines in Science Fiction Film." 22.1 (1999): 75-87. Senf, Carol A. "Brides of Dracula: From Novel to Film." 7 (1984) 64-71. Seyfarth, Susan. "Arnold Schwarzenegger and Iron John: Predator to Protector." 15.1 (1992) 75-81. Single, Lori Leathers. "Reading Against the Grain: The U. S. reception of Branaghs Mary Shelleys Frankenstein." 21.2 (1998): 1-18. Smith, Claude J., Jr. "Bodies and Minds for Sale: Prostitution in Pretty Woman and Indecent Proposal." 19.3 (1997) 91-99. Stetz, Margaret. The Island of Dr. Frankenheimer: Castaway in the Marketplace. 25.3 (2003): 77-90. Stevens, John D. "What Made Grandpa Blush? Media Censorship in the Twenties." 11.2 (1988) 40-48. Stimson, Jennifer. Killing Bare-Handed, Killing Hillary: Two Film Constructions of the Un-Clinton. 23.3 (2001) 25-36. Stromberg, Ernest. Out of the Cupboard and Up with Smoke Signals: Cinematic Representations of American Indians in the Nineties. 24.1 (2001) 33-46. Swart, Stanley L. "Neutralization Theory in Popular Film: A Criminological Perspective on Save the Tiger." 8.1 (1985) 79-85. Teleky, Richard. "The Empty Box." 15.1 (1992) 37-45. Terkla, Dan, and Thomas L. Reed, Jr. "Im gonna git Medieval on your ass: Pulp Fiction for the 90sthe 1190s." 20.1 (1997) 39-52. Thomsen, Steven R. "Hollywood and the Great Teacher Myth: A Fantasy Theme Analysis." 16.1 (1993) 73-85. Van, Thomas A. "Jack Nicholson, Women, and the Price of Admission." 19.1 (1996) 9-18. Wallace, Michelle. The Celluloid Cabin: Satirical Distortions of Uncle Tom in Animated Cartoon Shorts, 1932-1947. 23.3 (2001) 1-10. Welsh, James M. "Hollywood Faction and the New Biofantasy." 15.2 (1993) 57-66. Wetmore, Kevin J., Jr. The Tao of Star Wars, Or, Cultural Appropriations in a Galaxy Far, Far Away. 32.1 (2000) 91-106. Wheat, Jennifer. Auntie Mame: The Power of the Fool. 23.1 (2000) 11-22. Wintersole, Margaret. "The British Hero in Feature Films of World War II." 12.2 (1989) 79-88.
Biga, Tracy. "Men and Women Stuffed on TV." 18.1 (1995) 13-21. Brown, Stephanie. "On Kitsch, Nostalgia and Nineties Feminism." 22.3 (2000): 39-54. Clark, Beverly Lyon, and Lavina Dhingra Shankar. "When Women Tell Tales About School." 17.1 (1994) 17-28. Dalton, Mary, Steve Jarrett, and Carol Keesee."Stories of Southern Women: Gender, Culture, and Connection in the Movies." 19.2 (1996) 119-130. Ezell, Johanna. "The Joys of Cooking: Sex Stereotyping Among the Pots and Pans." 7 (1984) 28-39. Finley-Crosswhite, Annette. "Steele Mad After All These Years: Remington Steeles Laura Holt and Womens Rage on 1980s Television." 19.1 (1996) 19-36. Gentile, John S. "Thats the Night the Arts Went Out in Georgia: The Passing of the Anti-Gay Resolution and Arts Defunding in Cobb County, Georgia, as Social Drama." 19.2 (1996) 287-302. Gibson, Michelle, and Deborah T. Meem. "The Case of the Lovely Lesbian: Mabel Maneys Queering of Nancy Drew." 19.3 (1997) 23-36. Heide, Margaret J. "Gender and Generation: The Case of thirtysomething." 17.1 (1994) 75-83. Hollinger, Karen. "Respeaking Sisterhood." 20.1 (1997) 53-64. Jesudason, Melba, and Sally Drew. "Feminist Music and WOMONSONG Choir of Madison, Wisconsin." 15.1 (1992) 61-74. Juengel, Scott J. Bare-knuckle Boxing and the Pedagogy of National Manhood. 25.3 (2003): 91-110. Keller, James. Shady Agonistes: Eminem, Abjection, and Masculine Protest. 25.3 (2003): 13-24. ___. "Style or Substance: Heterotextual Traces in To Wong Fu." 19.3 (1997) 65-75. ___. "Tennessee Williams Doesnt Live Here Anymore: Hypocrisy, Paradox and Homosexual Panic in the Old/New South." 19.2 (1996) 303-318. Kelly, Lori Duin. "Bipeds in Bloomers: How the Popular Press Killed the Dress Reform Movement." 13.2 (1991) 67-76. Kelly, Lori Duin. "Crossing the Bearing Straits: Womens Maternity Dress in the 19th Century." 21.1 (1998): 1-12. Kravitz, Bennett. "A Certain Doubt: The Lost Voice of Deborah Samson in Revolutionary America."22.2 (1999): 47-60. Lafky, Sue A., and Bonnie Brennan. "For Better or For Worse: Coming Out in the Funny Pages." 18.1 (1995) 23-47. Mayor, Adrienne. "Libation Titillation: Wine Goblets and Womens Breasts." 16.2 (1994) 61-71. McCabe, Nancy. "Glory, Glory Hallelujah, Teacher Hit Me With a Ruler: Gender and Violence in Subversive Childrens Songs." 20.3 (1998): 71-82. McDonald, Christina R. "To Educate Neither Belles Nor Bluestockings: Women and Higher Education in the South During the Progressive Era." 20.2 (1997) 59-70. Morreale, Joanne. "Gender and Miller Lite: The Case of the Missing Case." 13.2 (1991) 27-37. Nodelman, Perry. "Teaching Girls About Men: Attitudes Toward Maleness in Teen Magazines." 9.1 (1986) 103-118. Penn, Ray. "What Designing Women Do Ordain: The Womens Ordination Movement Comes to Prime Time." 13.1 (1990) 89-102. Pratt, Louis H. "Alice Walkers Men: Profiles in the Quest for Love and Personal Values." 12.1 (1989) 42-57. Randall, Aaron J., Stephen F. Hall, and Mary F. Rogers. "Masculinity on Stage: Competitive Male Bodybuilders." 14.2 (1992) 57-69. Seyfarth, Susan. "Arnold Schwarzenegger and Iron John: Predator to Protector." 15.1 (1992) 75-81. Smith, Marie D. Decoding Victorias Secret: The Marketing of Sexual Beauty and Ambivalence. 25.1 (2002): 39-47. Waller, Robert A. "Women and the Typewriter During the First Fifty Years, 1873-1923." 9.1 (1986) 39-50. Wilcox, Rhonda V. "Shifting Roles and Synthetic Women in Star Trek: The Next Generation." 13.2 (1991) 53-65. Williams, J. P. "Transformations and Projections: Constructions of Femininity in Lois Lane." 17.1 (1994) 45-53. Zuk, Rhoda. "Entertaining Feminism: Roseanne and Roseanne Arnold." 21.1 (1998): 41-55.
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"Virus Culture." 20.1 (1997) 83-97. Whitsitt, Sam. "The Decline of a Tight Fit: Blue Jeans, Language, and Culture." 14.1 (1991) 17-27. Woodruff, Juliette. "The Last of the Southern Belles." 8.1 (1985) 63-70. Zaniello, Tom. "Cyberspace and the Virgin." 18.2 (1996) 81-87.
Bivens, Steven M., and Wilbert M. Leonard, II. "Performance, Sport Cards, and Racial Bias: A Cooperstown Perspective." 14.1 (1991) 61-83. Briley, Ronald F. "Where Have You Gone William Bendix?: Baseball as a Symbol of American Values in World War II." 8.2 (1985) 18-32. Dunne, Michael. "Post-War Cultural Construction in The Babe Ruth Story." 19.1 (1996) 1-7. Earle, Neil. "The Global Game: The Internationalization of Professional Hockey and Technological Modernism." 21.1 (1998): 57-72. Fenstermaker, John J. "Hemingway and the Gulf Stream: The Esquire Letters as Informal Apologia." 20.2 (1997) 41-57. Juengel, Scott J. Bare-knuckle Boxing and the Pedagogy of National Manhood. 25.3 (2003): 91-110. Kehl, D. G. "From Scoring Big to Striking Out: Jocktalk in Common Speech." 16.1 (1993) 61-72. Kellman, Steven G. "The Onomastics of Professional Sports Teams." 6 (1983) 70-76. Klink, William R. "Digging Your Lips: Foucault, Bakhtin, Lacan, and Pro Beach Volleyball." 21.3 (1999): 1-11. Kozak, David Lee. "On Deciding What To Climb: A Sociolinguistic Portrait of North American Rock Climbers." 11.2 (1988) 60-77. May, Vaughn. "Cultural Politics and Professional Wrestling." 21.3 (1999): 79-94. Morton, Gerald W. "The Wrestling Villain: Americas Mr Hyde." 4 (1981) 33-37. Poole, W. Scott White Knuckle Ride: Stock Cars and Class Identity in the Postmodern South. 25.1 (2002): 1-10. Strychacz, Thomas. "Is American Game, This Soccer, Yes?: American Sports Writing and the 1990 World Cup." 14.2 (1992) 21-35.
Ashdown, Paul. "Confederates on Television: The Cavalier Myth and the Death of The Gray Ghost." 2 (1979) 11-22. Barr, Terry. "Stars, Light, and Finding the Way: The Emergence of Jewish Characters in Contemporary Film and Television." 15.2 (1993) 87-100. Bell, Barbara. "Holden Caulfield in Doc Martins: The Catcher in the Rye and My So-Called Life." 19.1 (1996) 47-57. Biga, Tracy. "Men and Women Stuffed on TV." 18.1 (1995) 13-21. Boehrer, Bruce Thomas. "Great Princes Donatives: MTV Video and the Jacobean Court Masque." 11.2 (1988) 1-21. Broad, David B. "Sheena, Queen of the Jungle: White Goddess of the Dumont Era." 19.3 (1997) 1-9. Brown, Michael, and Corley Dennison. "Integrating Radio into the Home, 1923-1929." 20.3 (1998): 1-17. Byers, Michele. Scenes from the Frontier of the Material World: Television Images of Sexuality and Youth. 25.1 (2002): 59-78. Charney, Mark J. "Invitation to Love: The Influence of Soap Opera on David Lynchs Twin Peaks." 14.1 (1991) 53-59. Combs, James, and Dan Nimmo."The Return of Frankenstein: The Aesthetic of Three Mile Island Coverage by ABC Evening News." 4 (1981) 38-48. Dhoest, Alexander. Peasants in Clogs: Imagining Flanders in Television Fiction. 23.3 (2001) 11-24. Dunne, Sara Lewis. "Seinfood: Purity, Danger, and Food Codes on Seinfeld." 18.2 (1996) 35-41. Enns, Anthony, and Christopher R. Smit. "The Creation and Corruption of Diversity in MTVs The Real World." 22.1 (1999): 15-26. Fackler, Mark, and Stephen Darling. "Forgiveness On Prime-Time Television, A Case Study: Hill Street Blues." 10.1 (1987) 64-73. Finley-Crosswhite, Annette. "Steele Mad After All These Years: Remington Steeles Laura Holt and Womens Rage on 1980s Television." 19.1 (1996) 19-36. Friedmann, Anthony. "Sex, Lies, and Videotape: Sexual Innuendo in Producing and Presenting Television News." 16.2 (1994) 51-59. Gardner, Joann. "Self-Referentiality in Art: A Look at Three Television Situation Comedies of the 1950s." 11.1 (1988) 35-50. Hall, Dennis. "Rites of Appraisal and Questions of Value: Public Televisions Antiques Roadshow." 21.3 (1999): 13-22. Heide, Margaret J. "Gender and Generation: The Case of thirtysomething." 17.1 (1994) 75-83. Heinecken, Dawn. Boundary Battles: Heroic Narrative, The Feminine, and MTVs Aeon Flux. 14.1 (2001) 71-86. Henry, Matthew. "The Triumph of Popular Culture: Situation Comedy, Postmodernism and The Simpsons." 17.1 (1994) 85-99. Hersey, Eleanor. "Itll Always Be Burma to Me: J. Peterman on Seinfeld." 22.3 (2000): 11-24. Hoaas, David J., Lori D. Zimbelman, and Harold R. Christensen. "The Economic Pronouncements of Social Philosophers: Rush Limbaugh and Will Rogers." 17.2 (1995) 91-103. Hollinger, Karen. "Respeaking Sisterhood." 20.1 (1997) 53-64. Iaccino, James. A Content Analysis of Space:1999s Two Seasons. 23.3 (2001) 65-80. Jarvik, Laurence. "Its Only a Movie: The Television Docu-Drama and Social Issue Movie as The American Marketplace of Ideas." 11.1 (1988) 80-96. Keyes, Daniel. "The Imaginary Community of Lives Television Audience." 21.3 (1999): 65-78. Kurman, George. "Cultural Antecedents of Beavis and Butt-head." 18.1 (1995) 101-112. LaFia, Christine. "Superwoman in Television Situation Comedies of the 1980s." 11.2 (1988) 78-90. Levernier, James A., and Shannon Burns. "TVs Androgynous Zones: Americans in Transition." 3 (1980) 57-69. Levinson, Richard M. "Images of Males and Females in Childrens Media During theSeventies; or Kidvid and Kiddie Lit Revisited." 4 (1981) 82-89. Mintz, Lawrence E. "Ideology in the Television Situation Comedy." 8.2 (1985) 42-51. Penn, Ray. "What Designing Women Do Ordain: The Womens Ordination Movement Comes to Prime Time." 13.1 (1990) 89-102. Pilgrim, Tim A. "Television and the Destruction of Democracy: Blurring of Fiction and Fact as a Hegemonic Tool." 15.1 (1992) 83-94. Robinson, Michael G. "Lois & Clark: Whats New About The New Adventures of Superman?" 21.1 (1998): 83-98. Romm, Tsilia. "The Stereotype of the Female Detective Hero on Television: A Ten Year Perspective." 9.1 (1986) 94-102. Salamon, E.D. "The Church of Love: The Radio Religion of the Barry Manilow FanClubUK." 8.1 (1985) 86-104. Sauls, Samuel J. "The Role of Alternative Programming in College Radio." 21.1 (1998): 73-81. Sawyer, Corinne Holt. "Lysistrata at Ouijongbu: Role Reversal as a Dramatic Device." 5 (1982) 16-26. Shiffman, Dan. "A Standard for the Wise and Honest: The Americans All . . . Immigrants All Radio Broadcasts." 19.1 (1996) 99-107. Silbergleid, Robin. The Truth We Both Know: Readerly Desire and Heteronarrative in The X-Files. 25.3 (2003): 49-62. Slavicz, Susan, and Melissa Slavicz. The Significance of Disneys Super Soap Weekends. 25.1 (2002): 93-100. Smith, Claude J., Jr. "Healing Our Collective Auto-Angst: The Cultural Significance of Car Talk." 15.2 (1993) 35-41. Ward, Richard. The Quest to Form a Third Radio Network in the Early 1930s. 25.1 (2002): 11-22. Whitt, Jan. "Grits and Yokels Aplenty: Depictions of Southerners on Prime-Time Television." 19.2 (1996) 141-152. Wilcox, Rhonda V. "In Your Dreams, Fleishman: Dr. Flesh and the Dream of the Spirit in Northern Exposure." 15.2 (1993) 1-13. ___. "Shifting Roles and Synthetic Women in Star Trek: The Next Generation." 13.2 (1991) 53-65. ___. "The X-Files and Ingestion: Or, How to Become Vegetarian in Twelve Easy Episodes." 19.3 (1997) 11-22. Williams, J. P. "Melissa Scully Died For Your Sins: Feminine Sacrifice and Native American Spirituality in The X-Files." 20.2 (1997) 29-40. Womack, Steven. Popular Media Representations of Beat Culture; or, Jack Kerouac Meets Maynard G. Krebs. 24.3 (2002) 17-24. Zaniello, Tom. "Hitched or Lynched: Who Directed Twin Peaks?" 17.1 (1994) 55-64. Zeigler, Robert E. "Watching You: The Changing Vision of Televisions Private Eyes." 6 (1983) 105-115. Zuk, Rhoda. "Entertaining Feminism: Roseanne and Roseanne Arnold." 21.1 (1998): 41-55.
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Bertrand, Claude-Jean. "The American Ideology: A Triangular Model." 8.2 (1985) 71-76. Biesty, Patrick. "The Myth of the Playful Dancer." 13.1 (1990) 73-88. Carlson, Thomas C. "Ad Hoc Rock: Elvis and the Aesthetics of Postmodernism." 16.2 (1994) 39-50. Clark, John R., and Anna Lydia Motto. "A Bevy of Negations Invades the Popular Arts." 3 (1980) 20-34. Clements, William. "Folklores Vitality and Symbolism: Toward A Method of Interpretation." 1 (1977) 7-15. Deer, Irving. "The Popular Arts and Popular Culture: Traps and Counter Traps." 4 (1981) 1-8. Fiedler, Leslie. "Beyond What Was Literature?: Looking Backwards and Forward." 7 (1984) 1-13. Fishwick, Marshall. "Post-Modern Blues." 22.3 (2000): 1-10. Galef, David, and Harold Galef. "What Was Camp." 13.2 (1991) 11-25. Hall, Dennis R. "The Study of Popular Culture: Origin and Developments." 6 (1983) 16-25. Harmon, Gary L. "Afterword: The Meaning and Importance of Leslie Fiedler." 7 (1984) 14-17. Harmon, Gary L. "On the Nature and Functions of Popular Culture." 6 (1983) 3-15. Hedges, James S."Toward Boundaries For the Act of Popular Culture." 4 (1981) 9-15. Henry, Matthew. "The Triumph of Popular Culture: Situation Comedy, Postmodernism and The Simpsons." 17.1 (1994) 85-99. Mintz, Lawrencc E. "Notes Toward a Methodology of Popular Culture Study." 6 (1983) 26-34. Rollin, Roger B., ed. "Understanding Popular Culture: A Symposium." 6 (1983) 1-2. Schuetz, Arnold. "The Frankfurt School and Popular Culture." 12.1 (1989) 1-14. Sherman, Marilyn R., and Roger B. Rollin. "Opportunities for Research and Publicationin Popular Culture." 6 (1983) 35-46. Stern, Jerome. "Highbrow Taste as Popular Culture." 1 (1977) 1-6.
The first topical index to Studies in Popular Culture, covering Volumes 1-10, was prepared by Jerome Stern and published in SiPC 10.2. In preparing this index to Volumes 1-24, we have followed and expanded upon Professor Sterns categories. Without the computer skills of David Lavery, this index could not have been completed.
Michael Dunne and Sara Lewis Dunne
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